The border between Cote d’Ivoire and Liberia cuts across several ethnic groups, including the Dan, Wee, Kran, and Grebo. In 19th–mid-20th century Dan society, dangerous immaterial forest spirits are translated into the forms of human face masks. Whether or not they are worn, such sculptures are spiritually charged. Male performers, gle-zo, experience a dream sent by the mask spirit that allows them to dance it. In performance, the masks are integrated into the hierarchical system that governs political and religious life.
CMAA is an experience created by African artifacts collector Eric Edwards, who has amassed one of the largest African art collections in the United States. In a journey of over fifty years of carefully selecting these items, which date back to over four thousand years, these rare and unique African artifacts are now being shared with the public in a museum setting for education and joy.
Address: Cultural Museum of African Art, Inc. The Eric Edwards Collection 1360 Fulton St, 2nd Floor Brooklyn, NY 11216
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